American Express

his stunning vintage-style artwork captures an African-American gay couple in the 1930s, standing proudly beside a 1930 Packard 745 Deluxe Eight Convertible Coupe along the scenic Mississippi River in Eastern Iowa. The couple is dressed in impeccably tailored period clothing, exuding sophistication and confidence. One man wears a three-piece suit with a crisp tie and a classic fedora, while his partner complements him with a stylish suit and flat cap. Their warm smiles and relaxed poses, with one arm casually draped over the other’s shoulder, radiate affection and camaraderie, showcasing their strong bond in a time when such relationships were rarely celebrated openly.

The rich autumnal tones, fallen leaves, and the iconic bridge in the background create a nostalgic and historically grounded setting, making this artwork a poignant tribute to love and resilience. The gleaming black Packard Coupe, with its elegant curves and pristine detailing, not only serves as a symbol of progress and aspiration but also anchors the scene firmly in the 1930s. This painting is a celebration of representation and inclusivity, blending historical accuracy with emotional storytelling. Perfect for those who appreciate vintage aesthetics and LGBTQ+ history, it is a testament to the enduring power of love and authenticity.

This case study series examines the life and work of Midwestern artist Grant Wood. Known for his role in the Regionalist art movement, Wood’s paintings capture the spirit of rural American life with a distinct style inspired by Gothic and Renaissance art. His most iconic works, like American Gothic, reflect a meticulous attention to detail and a flat, decorative approach, showcasing earthy, muted colors—greens, browns, and blues—that echo the landscapes and life of the Midwest. These colors, punctuated occasionally with bright reds or yellows, create a grounded yet nostalgic atmosphere, resonating with the enduring American spirit.

This study is also a tribute to Wood as a queer artist—a truth that he may have kept concealed due to the social and cultural norms of his time. While the term gay didn’t gain mainstream use until the 1960s, queer has since become an inclusive, positive label within the LGBTQ+ community. It embraces a spectrum of identities that defy traditional definitions of sexuality and gender, reflecting the diversity and resilience of those who navigate life outside conventional norms. Reclaiming the term allows us to acknowledge the full breadth of Wood’s identity as part of his legacy.

In exploring Wood’s work, this series imagines what his art might have looked like if he had the freedom to express his authentic self openly, without societal restrictions. It also raises questions about the impact of cultural bias on art preservation—wondering if some pieces that might have reflected same-sex relationships were perhaps destroyed or never created due to the fear of judgment. These case studies honor Grant Wood’s authenticity, celebrating his contributions as a trailblazer in American art and recognizing the need for broader representation in galleries and museums today.

Please note: Slight size variations of +/- 1/8" (3.2mm) may occur due to the production process.