American Express

This framed artwork beautifully represents The Everyman, a universal character from Walt Whitman’s Leaves of Grass, particularly Song of Myself. Whitman celebrates the physicality, roles in society, and deep connection to nature found in everyday men—farmers, sailors, and laborers alike.

Depicting an African American farmer with a confident stance, rugged boots, suspenders, and rolled sleeves, this artwork captures Whitman’s themes of strength, unity, and the universal human spirit. The serene rural backdrop, with golden wheat fields, rolling hills, and a distant barn, reflects the resilience and dignity of hardworking individuals in 19th-century America.

Perfect for lovers of Americana, literary-inspired decor, and history enthusiasts, this framed piece honors the interconnectedness of humanity while celebrating the essential contributions of African American farmers to rural life.

Key Features:

Represents The Everyman from Walt Whitman’s Leaves of Grass and Song of Myself
Celebrates resilience, physicality, and the universal human spirit
Depicts an African American farmer in 19th-century attire set against a rustic backdrop
High-quality framed art perfect for home, office, or gallery decor
A thoughtful gift for literary lovers, art collectors, and Americana enthusiasts

This case study series examines the life and work of Midwestern artist Grant Wood. Known for his role in the Regionalist art movement, Wood’s paintings capture the spirit of rural American life with a distinct style inspired by Gothic and Renaissance art. His most iconic works, like American Gothic, reflect a meticulous attention to detail and a flat, decorative approach, showcasing earthy, muted colors—greens, browns, and blues—that echo the landscapes and life of the Midwest. These colors, punctuated occasionally with bright reds or yellows, create a grounded yet nostalgic atmosphere, resonating with the enduring American spirit.

This study is also a tribute to Wood as a queer artist—a truth that he may have kept concealed due to the social and cultural norms of his time. While the term gay didn’t gain mainstream use until the 1960s, queer has since become an inclusive, positive label within the LGBTQ+ community. It embraces a spectrum of identities that defy traditional definitions of sexuality and gender, reflecting the diversity and resilience of those who navigate life outside conventional norms. Reclaiming the term allows us to acknowledge the full breadth of Wood’s identity as part of his legacy.

In exploring Wood’s work, this series imagines what his art might have looked like if he had the freedom to express his authentic self openly, without societal restrictions. It also raises questions about the impact of cultural bias on art preservation—wondering if some pieces that might have reflected same-sex relationships were perhaps destroyed or never created due to the fear of judgment. These case studies honor Grant Wood’s authenticity, celebrating his contributions as a trailblazer in American art and recognizing the need for broader representation in galleries and museums today.

Please note: Slight size variations of +/- 1/8" (3.2mm) may occur due to the production process.